
ozu — color ‘pillow shots’

‘There is a way I feel, or simply want to feel, that she wasn’t made for the city. The City, as in New York. There is so much less melancholy in the merging of her figure with a field of mud or the roots of a giant tree, as in images dating from her high school days, than in the sense of caged wildlife that her later pictures radiate. I prefer the child raised by wolves, the genius daughter of the Venus of Willendorf, to the sadder and perhaps more “relatable” figure she cuts when she gets a bit older — a brilliant and misunderstood young woman trying to make it and failing, a brilliant young woman in New York looking for love and not finding it. The crumbling interiors in which she liked to work evoke a life in the lap of Miss Havisham. Which is to say, they capture the soul-state of a free spirit trapped in embittered and forgotten interiors whose long-decayed romances and salad days parallel the (no-less-miserable-to-endure-because-deserved) decline and sexual misery of Occidental culture.’
— from this, by Ariana Reines